Lev Losev: "Most of all I love" Blue modest handkerchief "(1982). I remember starting to read for the first time and almost immediately switched to reading aloud - it was impossible to refuse the tongue, larynx in such a holiday. And wrote to the author: "I began to read, and I really liked the tone and extraordinary skill of the language ... exub. Orance of images, colors, characteristic expressions that intoxicate and captivate you. A lot of excess, disproportionate, but verve and tone are amazing.". No, I did not write to Aleshkovsky, this is my namesake, Lev Nikolaevich Tolstoy, wrote to Nikolai Semenovich Leskov . I chose the quote from Eichenbaum's article about Leskov ("Excessive Writer"). This article develops an important thesis about the inseparability of the literary process from the general intellectual, primarily from the development of philosophical and philological thought. New knowledge about the nature of language and thinking opens up new perspectives for the artist’s imagination, and in the course of the matter new rules of the game are created. In the middle of the twentieth century, the doctrine of dialogueism spread, the hierarchies of the “alien word” in Aleshkovsky become pure poetry. The Plate mixes existential despair and domestic farce, and the result of the reaction is an explosion. Similarly, in the tragic Prologue to the "Poem without a hero" there appears a "foreign word" of the most ridiculous Russian comedy: ...And since I did not have enough paper, I write a draft on your . Here is someone else's word...