One hot summer night in 1945, three young American writers, each an enfant terrible, came together in a stuffy Manhattan apartment for the first time. Each member of this pink triangle was on the dawn of world fame Tennessee Williams forA Streetcar Named Desire; Gore Vidal for his notorious homosexual novel,'The City and the Pillar'; and Truman Capote for 'Other Voices, Other Rooms', a book that had been marketed with a photograph depicting Capote as a underaged sex object that caused as much controversy as the prose inside.Each of the three remained competitively and defiantly provocative throughout the courseof his writing career. Initially hailed by critics as the darlings ofthe gods, each of them would, in time, be attacked for his contributionsto film, the theater, and publishing. Some of their works would bewidely reviewed as obscene rantings from perverted sociopaths. From thatsummer night emerged betrayals that eventually evolved into lawsuits,stolen lovers, public insults, and the most famous and flamboyantrivalries in America's literary history.The privateopinions of these authors about their celebrity acquaintances usuallyleft scar tissue. Vidal became the most iconoclastic writer sinceVoltaire, needling and satirizing the sacred cows of his era andexplosively describing subjects which included America s gay foundingfathers, the lesbian affairs of Eleanor Roosevelt, his own seduction ofthe Beat Generation's spiritual leader and guru, Jack Kerouac.The book contains an overview of Vidal s hot, then glacial, relationship with the fabled diarist Anais Nin, and the drawn-out slugfests which followed. Capote became the mascot of the ultra-fashionable jet set, surrounded and showcased by his glamorous swans. Eventually, Capote feuded not only with Vidal, but with The Queen of the Best-Sellers, Jacqueline Susann, publicly referring to her as a truck driver in drag...