The Irrational and Greek Tragedy ;Francesca D'Alessandro Behr ; 5Dreams as Gendered Places: Feminist (Re)Awakenings in Pasolini'sCaldéron ;Ryan Calabretta-Sajder ; Part 3: Pasolini through the Lens ; 6Il"cinema di poesia" from Theory to Practice: The Case ofEdipo Re ;Millicent Marcus ; 7Violence in Pier Paolo Pasolini's Cinema ;Francesco Rosetti ; 8The Bibliography ofFabio Benincasa ; 9Oedipus and Medea According to Pasolini ;Giulia Tellini ; 10Pasolini'sDecameron (1971): A Case of Cinematic Re-Creation ;Fulvio Orsitto ; 11Pictorial Allusion as a Distancing Technique from the Chaucerian Hypotext inThe Canterbury Tales ;Ilaria Lanzarini ; Part 4: Pasolini and Italian Culture--Final Thoughts ; 12Pasolini as Prophet: FromI Know to the Prophecy ofRyan Calabretta-Sajder ; Part 1: Pier Paolo Pasolini and Verse ; 1Pasolini's Poetry: The Language of the Mother ;Daniela Bini ; 2Jesus Narcissus: Pasolini's Self-Representation as Scapegoat and Martyr in His Friulan Verse ;William Van Watson ; 3Poetic Gazing: The "Word-Eye" in the Poetry of Pier Paolo Pasolini ;Flaviano Pisanelli ; Part 2: Pasolini and the Stage ; 4Pasolini'sSalò, or the 120 Days of Sodom ;Daniela Privitera ; 13Pier Paolo Pasolini's Influence on Contemporary Italian Culture ;Virginia Agostinelli ; Part 5: Interviews ; 14Interview with Omino 71 ;Fabio Benincasa ; 15Pasolini's Last Interview: Death, Eros, and Literary Enterprise in the Opus of Pier Paolo Pasolini--a Conversation with Dacia Maraini ;Ryan Calabaretta-Sajder ; Index ; About the Editors and Contributors.;Style="font-style:italic;">Salò : Eros, Sadism