Introduction. After Stevens / Bart Eeckhout and Lisa Goldfarb -- Frost or Stevens? Servants of two masters / Bonnie Costello -- The strands of modernism : Stevens beside the seaside / Lee M. Jenkins -- Hearing Stevens in Sylvia Plath / Bart Eeckhout -- Moving the "moo" from Stevensian blank verse : Elizabeth Bishop's use of prose / Angus Cleghorm -- Henri Michaux's Elsewhere through the lens of Stevens' poetic theory / Axel Nesme -- Stevens across the Iron Curtain / Justin Quinn -- Stevens and Seamus Heaney / George S. Lensing -- The not so noble rider : Stevens, Oppen, Glück / Edward Raff -- The Stevens wars / Al Filreis -- Stevens' musical legacy : the "huge, high harmony" / Lisa Goldfarb -- "Ghostlier demarcations, keener sounds" : Stevens, Sue Howe, and the souls of the Labadie Tract / Joan Richardson -- How John Ashbery modified Stevens' uses of "as" / Charles Altieri -- Silly to be serious : lateness and the question of late style in Stevens and A.R. Ammons / Juliette Utard -- Unanticipated readers / Lisa M. Steinman -- "This song is for my foe" : Olive Senior and Terrance Haynes rewrite Stevens / Rachel Galvin -- "The California fruit of the ideal" : Stevens and Robert Hass / Rachel Malking