In the declining Weimar Republic, Egon Loeser works as a stage designer for New Expressionist theatre. His hero is the greatest set designer of the 17th century, Adriano Lavicini, who devised the so-called Teleportation Device for the whisking of actors from one scene to another - a miracle, until the thing malfunctioned, causing numerous deaths and perhaps summoning the devil himself.*Apolitical in a dangerous time, sex-driven in a dry spell, Loeser leaves the tired scene in Berlin in pursuit of the lubricious Adele Hitler (no relation), who couldn't care less about him, heading first to Paris and then to Los Angeles, where he finds his entire tired Berlin social circle reconstituted in exile, under the patronage of a hack writer and his possibly philandering wife. He also finds himself uncomfortably close to a string of murders at CalTech, where a physicist, assisted by Adele herself, is trying to develop a device for honest-to-God teleportation.Following his breathtaking debut,Boxer, Beetle, Ned Beauman raises the stakes, creating inThe Teleportation Accidenta marvelous mash-up of historical fiction, LA noir, science fiction, and satire. Here are sluts and scam artists, ghosts and ancient dinosaur-men, all wrapped up in one page-turning plot. Beauman is a writer of audacity and style; his second novel proves him a star on the rise.*Review'Less than two years after his multi-award-winning debut 'Boxer, Beetle' Ned Beauman returns with another fizzing firework of a caper, featuring as many cracking escapades as its predecessor ... His prose is wonderfully discursive and buzzes with originality, while scenes of pure farce nod respectfully to Thomas Pynchon and Hunter S Thompson ... his bold characterisations, slapstick humour, slick similes and tangential subplots are sublime. A strong, smart follow-up that proves Beauman is more than comfortable with the hype he's created for himself.' -- Time Out 'If you care about contemporary writing, you must read this ... BOXER, BEETLE was acclaimed as the most inventive fictional debut in years, buzzing with energy and ideas, and Beauman's second novel keeps up the pace' -- Tatler 'A glorious, over-the-top production, crackling with inventive wit and seething with pitchy humour ... A beguiling success ... Ingenious ... There is such an easy felicity in Beauman's writing and such a clever, engaging wit ... that one feels he could write something as much fun every two years. The prospect of which makes me very, very happy indeed.' -- Scotsman 'An extraordinary, Pynchonesque flea-circus of a book...Ned Beauman's pyrotechnical comic novel, his second, is as violently clever as you'd expect from his earlier book, BOXER, BEETLE... [a] frantically entertaining pasteboard extravaganza' -- The Sunday Times 'He's done it again ... Beauman does adolescent male lust and anomie with the verve of a young Amis and this is a great romp of a novel, delightful in its inventiveness.' -- Prospect 'Funny, scandalous, decadent and erudite, THE TELEPORTATION ACCIDENT is a hugely enjoyable madness with flavours of Pynchon, Huysmans and Jerome K. Jerome.' -- Nick Harkaway "Beauman, whose first novel BOXER, BEETLE was widely acclaimed, sets out his stall as a latter-day Evelyn Waugh in this dazzling satire that begins in 1930s Berlin. Biting black comedy" -- The Times 'Beauman has a huge gift for satire and the wry phrase...brought together so immaculately you never notice how hard he's working.' -- Word Magazine 'A novel that turns everything on its head, Beauman's book is critical, funny and deliciously deviant.' -- The List 'Ned Beauman is a writer of unceasing invention and his second novel is replete with ideas' -- Metro 'popping with ideas, fizzing with vitality and great fun to quaff' -- Independent on Sunday 'It is brilliantly witty, with a pace edging on breathless. Every stage is like the denouement of a great crime novel refigured as science. The reader is constantly challenged (and rewarded) as occurrences alternate between being clear and nebulous. Genuinely exhilarating.' -- We Love This Book 'At times THE TELEPORTATION ACCIDENT is as bloody-mindedly difficult as Egon Loeser, but it builds slowly, brings its threads together with great skill, and Ned Beauman turns a good phrase as his characters dance their line between the cleverly obnoxious and the obnoxiously clever.' -- SFX Praise for Boxer, Beetle -- : 'a piece of staggeringly energetic intellectual slapstick ... it's crammed with strange, funny and interesting things' -- Sam Leith, Guardian 'an enjoyable confection; witty, ludicrous and entertaining' -- James Urquhart, Financial Times 'An astonishing debut...buzzing with energy, fizzing with ideas, intoxicating in its language, Boxer, Beetle is sexy, intelligent and deliriously funny' -- Jake Arnott 'A rambunctious, deftly-plotted delight of a debut' -- Observer 'Ned Beauman's astonishingly assured debut starts as it means to go on: confident, droll, and not in the best of taste ... Many first novels are judged promising. Boxer, Beetle arrives fully formed: original, exhilarating and hugely enjoyable. ' -- Peter Parker, Sunday Times 'Frighteningly assured' -- Katie Guest, Independent on Sunday 'Exuberant ... There are politics, black comedy, experimentation and wild originality - and I haven't even got to the beetles. Terrific.' -- The Times 'Debut bout is a real knockout ... dazzling' -- Daily Express 'Its ambitions are enormous, in terms of the range, energy and quality of the writing' -- Literary Review 'Dazzling ... As in PG Wodehouse and the early Martin Amis the tone is mischievous and impudent without being merely jaunty or wacky ... in Erksine and Broom we have two endlessly curious heroes whose thoughts are fascinating even at their silliest.' -- Leo Robson, Express 'A witty, erudite debut ... thick with trivia, it confidently takes on British fascism, the Thule society, anti-Semitism, atonal composition, sex, and the class system ... An articulate and original romp ... often gobsmackingly smutty. Beauman is one to watch.' -- Katie Allen, Time Out 'Not one for the easily shocked, young scribe Ned Beauman subjects the reader to a parade of ghoulish events and ghastly theories throughout his dazzling first novel Boxer, Beetle ... deeply researched and punchily written, this is an utterly unique work that marks the London-based author out as an exciting new voice in fiction.' -- The List 'Beauman skips with panache between his dreadful version of the present and the macabre absurdities of a period when cock-eyed science and rabid anti-Semitism provided a toxic cocktail for the upper classes. His killer irony evokes early Evelyn Waugh, and his lateral take on reality Will Self at his unsettling best. This is humour that goes beyond black, careening off into regions of darkness to deliver the funniest new book I've read in a year or two.' -- Pete Carty, Independent 'Clever, inventive, intelligently structured, genre-spanning, as magpie-like in its references as any graphic novel, and above all, an enjoyable, high-octane read through a fascinating period in history.' -- Rob Sharp, Independent on Sunday 'The 1930s are wonderfully evoked, and the historical sections of the novel are taut, thematically rich and extremely well written ... it takes real skill to make a tragic hero out of the five-foot, nine-toed alcoholic Seth Roach ... it's clear from this compelling debut that Beauman can perform the complicated paradoxical trick required of the best 21st-century realist novelists: to take an old and predictable structure and allow it to produce new and unpredictable connections.' -- Scarlett Thomas, Guardian 'An edifying treatise on the absurdity of eugenics and racial theories, and probably the most politically incorrect novel of the decade - as well as the funniest ... Monstrous misfits with ugly motives are beautifully rendered in a novel where Beauman's scrupulous research is deftly threaded through serious themes in a laugh-out-loud-on-the-train history lesson.' -- Anna Swan, Sunday Telegraph 'I can only gape in admiration at a new writing force and wonder what he's going to produce next.' -- Victoria Moore, Daily Mail 'The scenes set in the past are reminiscent of Evelyn Waugh's Decline and Fall in their grotesque stupidity and amorality, and the present-day characters are as ruthless as any in modern noir fiction. It also makes a persuasive argument for the moral repercussions of Darwinism and the absurdities of fascism and repressed homosexuality, but that's just three aspects of a witty, fascinating and romping read.' -- James Medd, Word 'Beauman writes with wit and verve.' -- Carl Wilkinson, Financial TimesAbout the AuthorNed Beauman was born in London and studied at Cambridge. His writing has appeared widely, including inThe GuardianandThe Financial Times. His first novel,Boxer, Beetlewas widely acclaimed and won the National Jewish Book Award. Beauman lives in New York.