In the 60s, a selection by A. Velichansky appeared in Tvardovsky’s “New World” that attracted the attention of readers. And after this, the newly discovered poet “disappeared.” For that time, which is usually called stagnant. Occasionally, only the song “To the Music of Vivaldi,” which became popular, reminded of him. Velichansky’s works, oriented towards classicism, but at the same time not devoid of modernist features, seem to consist of subtle sound, visual and semantic nuances, they are, as it were, woven from them, memorable exquisitely whimsical execution, delicate, one would like to say - “handmade” work. The leitmotif of the book is the correlation of the natural world with the spiritual aspirations of man.