"The Modern History of Russian Cinema. 19862000. Part 2 . Film and Context 1986-2000 . Volume 4. 1986-1988" is a fascinating and in-depth study of the era that became a turning point for Russian cinematography. The author, whose name remains unknown, created a unique analytical work that reveals a complex picture of the development of domestic cinema in the period from the mid-80s to the end of the 80s, covering the most important events, trends and cultural changes that influenced the cinema industry. This book is a real storehouse of knowledge for those who are interested in the history of Russian cinema, cultural studies and sociology. In it, the author masterfully traces how, in the conditions of change and transition to new social and political realities, domestic cinema not only preserved its traditions, but also sought new forms of expression. Particular attention is paid to how during this period there was a revaluation of values, how genres, styles and themes of films changed, and how these changes reflected the public moods and challenges of the era. The reader is invited to plunge into the atmosphere of time, to understand which films became symbols of the era, and which - a reflection of the internal struggle and the search for national identity. The latest history of Russian cinema . 19862000. Part 2 . Film and Context 1986-2000 . Volume 4. 1986-1988" is intended for a wide range of readers - from students and graduate students studying the history of cinema, to professional critics and amateurs who want to expand their knowledge about the development of Russian cinema. It will be especially interesting for those who appreciate deep analysis, historical perspective and cultural studies. The age range of readers - from teenagers who are beginning to be interested in the history of cinema, to adults looking for new views on familiar films and the era The author not only examines in detail key films and directorial names, such as Eldar Ryazanov, Andrei Tarkovsky and others, but also analyzes the social and political context in which these works were created. The book raises the most important topics - the transition from the Soviet to the post-Soviet era, the role of cinema in the formation of national identity, the impact of new technologies and international trends on domestic cinema. A special place is occupied by the discussion of how films of this period reflected the internal contradictions, hopes and fears of society, as well as how they contributed to the formation of a new cultural paradigm. The style of the author is distinguished by the analytical depth and richness of the actual material, while he is able to make complex topics accessible and fascinating for the reader. The book vividly traces the connections between historical events and cinematic practices, making it a valuable source for those who want to understand not only cinema as an art, but also its role in shaping public consciousness. This part of the series is a continuation of the research that helps to comprehend the most important stages of the development of Russian cinema in the face of changes and challenges facing the cultural sphere at the end of the 20th century. If you are looking for a book that connects history, art and sociology, and want to understand how cinema reflects and shapes society in times of change, "Modern History of Domestic Cinema. 19862000. Part 2 . Film and Context 1986-2000 . Volume 4. 1986-1988" will become an indispensable source of knowledge for you This is not just a historical overview - it is a lively, rich description of the era, which will help you look at Russian cinema from new sides and understand its significance in the context of the world cultural scene.