Known as the "Filmmaker's bible," for several generations, one of the world's most widely used cinema reference books is more comprehensive than ever - moving into the digital side of image capture. Completely re-imagined to reflect the sweeping technological changes that our industry has experienced, this edition of the Manual is vibrant and essential reading, as well as an invaluable field resource, covering subjects such as:•The explosion of prosumer cameras inprofessional use• Previsualization• 3-D• LED lighting fixtures• An entirely new section on digital camera prep,and more!CHAPTERSOrigins of the American Society of CinematographersResponsibilities of the CinematographerSummary of FormatsBasic Digital ConceptsEvaluating Digital Motion Picture CamerasLow-Cost Options For Digital CinematographyPutting the Image on FilmComparisons of 1.85, Anamorphic and Super 35 Film FormatsAnamorphic CinematographyExposure MetersLensesCamera FiltersCamera-Stabilizing SystemsPrevisualization3-D Stereoscopic CinematographyDay-for-Night, Infrared and Ultraviolet CinematographyAerial CinematographyUnderwater CinematographyArctic and Tropical CinematographyFilming Television and Computer DisplaysDigital Postproduction for Feature FilmsThe ASC Color Decision List (CDL)Academy Color Encoding Sytem (ACES)The Cinematographer and the LaboratoryEmulsion TestingFinding Your Own Printer LightAdjusting Printer Lights to Match Sample ClipsCinemagic of the Optical PrinterMotion-Control CinematographyGreenscreen and Bluescreen PhotographyTravelling MattesPhotographing MiniaturesIn-Camera Compositing of Miniatures...Light Sources, Luminaires and Lighting FiltersLED Lighting For Motion Picture ProductionDigital GlossaryFilm and Digital Camera SectionSafety on the SetFilm Camera PrepDigital Camera PrepCamera -Support SystemsQuick Picture Monitor Set-upHandheld Apps for Production