Romantic poets culture psoterity

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This original book examines the way in which the Romantic period inaugurates a tradition of writing that demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can only be properly appreciated after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the gendering of the poetic canon, and for understanding the work of Wordsworth, Coleridge, Keats, Shelley and Byron, paradigmatic figures of the Romantic poet.
LF/113423/R
Data sheet
- Name of the Author
- Andrew Bennett
- Language
- English
- Series
- Cambridge Studies in Romanticism
- ISBN
- 9780521641449
- Release date
- 1999