The stories told, as well as the ways they are implemented, are different. Dekleva realizes her plan through the phenomenon of the Other, modeling the inner world of a mentally disabled teenager, the very fact of whose existence is a challenge for the skin-headed scumbag; Jabot - in the mystical spirit of the legends of his small homeland, Prekmurje; Blatnik - with the help of a chronicle of daily events and everyday chores; Kumerdey - with undisguised irony, highlighting the fantastic nature of the presented situation. Each of the authors offers the reader their own version of understanding and experiencing reality, but at the same time, they all preferred chamber plots addressed to specific personal experience over “big” topics.