Shakespeare's visual regime: tragedy, psychoanalysis, and the gaze
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Can postmodern accounts of the gaze--deriving from the psychoanalytic theories of Freud, Lacan, Fanon, and Riviere—tell us anything about those structures of vision prior to, and repressed by, modernity? Shakespeare's Visual Regime examines the tragedies, histories, and Roman plays for an emergent early modern spectatorial subject, thereby locating Shakespearean theater within those discourses most crucial to the contemporary exposition and disruption of regimes of vision: perspective painting, cartography, optics, geometry, Puritan anti-theatrical polemic, and the occult.
LF/409553/R
Data sheet
- Name of the Author
- Philip Armstrong
- Language
- English
- Release date
- 2000
6 books by the same author:
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Can postmodern accounts of the gaze--deriving from the psychoanalytic theories of Freud, Lacan, Fanon, and Riviere—tell us anything about those structures of...