Words, music, art and performance. The stuff of a satisfying life."Though he argues hard for lightness and play in art, Malouf is the most serious writer at work in this country. The treasures are endless. Every few pages there are lines calling for a standing ovation. Some of these pieces are more lucid than others, and more persuasive. None is less than wise."-David Marr, The MonthlyAfter exploring the idea of home, where and what it is inA First Place, what does it mean to be a writer and where writing begins inThe Writing Life,David Maloufmoves on to words and music and art and performance inBeing There. With pieces on the Sydney Opera House - then and now - responses to art, artists and architects, and including Malouf's not previously published libretti for Voss and a translation of Hippolytus, this is an unmissable and stimulating collection of one man's connection to the world of art, ideas and culture."Across the half-century or so spanned by these pieces, whether they deal with art happenings in London during the swinging 60s or the domestic architecture of Glenn Murcutt, Malouf’s critical responses remain extraordinarily stable. His principle, to crudely reduce the rich broth of his thought to a single flavour, is that of delight."-Geordie Williamson, The Australian"Malouf's manner is measured and measuring, quietly or insistently engaging. He invites the reader to listen to, and join in, a conversation in which ideas are floated, worked through and set in diverse contexts, while always alert to the requirement to circle back to, and around, the topic in hand."-Michael Morley, The Sydney Morning Herald